The classic Kashmir shawl was the exquisite product of consummate skill and artistry applied to one of the world’s most delicate fibres. It was an object of desire for Mughal emperors and Sikh maharajas, Iranian nobles, French empresses, Russian and British aristocrats and eventually for the prosperous 19th-century bourgeoisie on both sides of the Atlantic. It has left a permanent imprint on the aesthetic sensibility of the modern world in the socalled paisley, derived from a motif developed in the ateliers of Kashmir's shawl designers. This authoritative study introduces the Kashmir shawl as a cultural artefact with a known history spanning four centuries, and a geographical reference from Tibet to the United States. The authors' original research lays many persistent myths to rest. Monisha Ahmed provides the first authentic account, based on years in the field, of the production of the raw material, pashm or